Come explore the historical, social, traditional, and modern concepts around gender in dancing. One of the most profound carriers of Nordic culture is the folk dance. The most ancient dances that have persisted are longdance or community song dances performed by everyone in the community all at once and solo athletic dances. Gendered couples dances and gender rigidity within them manifest strongly during Scandinavia’s Romantic period. As a performer with the Norwegian Folk Dance Club dancing the traditional male roles in traditional male clothes, Kari Tauring has unique insights into gender and dance. Come learn and join in the lively discussion!
General $20 | Members $15
Kari Tauring is a Minneapolis based Nordic folk musician, dancer, and storyteller and author of “The Runes: A Deeper Journey”. A volva in Old Norse, she “carries the staff” of spiritual tradition within the folkway of her Nordic ancestry through performance, education, and authorship. She grew up in a Norwegian family in Minnesota with summers spent with extended family in Wisconsin. Kari combines deep scholarship and personal practice to create new interpretations of what it means to be Nordic. Called “innovative folk” music, Tauring gives modern relevance to the ancient poems and songs that inspire her.
Kari played original folk music in the Twin Cities and around the Midwest from the early 1990’s. From 1999 – 2006 she produced large scale Winter Solstice celebrations with original music, dancers, puppets, and visual artists. She has several recordings and parts of these celebrations can be seen on youtube etc.
Her early studies of Runes and ancient texts about them (1989) began making their way into her musical life in 2003 as she began reconstructing the staff carrying women’s traditions of her Norwegian heritage. Using the staff and stick for chanting runes is at the center of Völva Stav is her original work aligning the body and its processes with the world tree and its many inhabitants. The use of staff rhythm for journey and rune expression, and the dovetailing of rune postures within Nordic movement is unique, profound, and well received around the world.
Kari began studying Scandinavian folk dance in 2006 and putting rune postures to traditional Scandinavian folk dances sparked her programs in Nordic Roots Dance in 2011. She continues to dance in performance groups, teach runes in the dance workshops, and connect the very ancient to the very modern through the threads of these folk ways.